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quajack
Seeker

86 Posts

Posted - 13 Nov 2006 :  17:40:52  Show Profile  Visit quajack's Homepage Send quajack a Private Message  Reply with Quote  Delete Topic
After reading about 180 FR novels I've come to the conclusion that I vehemently dislike battle sequences. I'm currently engrossed in the Rogue Dragons Trilogy (200 pages into the Ruin) and I find myself cringing any time a battle is about to errupt.

This sentiment holds true especially when it's a foregone conclusion as to who will emerge victorious (ie: any time Drizzt fights).

The most prominent example of a "battle gone long" is Gromph Beneare's spell battle against the lich-drow in ?Annihilation?

Personally, I'd much prefer a single paragraph with a brief explanation of how the battle was won instead of a detailed description of every sword feint and dagger thrust that occurs during every skirmish.

Of course that's just my opinion. I could be wrong.

Kentinal
Great Reader

4689 Posts

Posted - 13 Nov 2006 :  17:45:19  Show Profile Send Kentinal a Private Message  Reply with Quote
You can not be wrong in your opinion or perfered description of battle sceens. Some might enjoy the details, tricks perhaps used, a random failure, etc.

Your opinion just might or might not agree with opinions of other readers.

"Small beings can have small wisdom," the dragon said. "And small wise beings are better than small fools. Listen: Wisdom is caring for afterwards."
"Caring for afterwards ...? Ker repeated this without understanding.
"After action, afterwards," the dragon said. "Choose the afterwards first, then the action. Fools choose action first."
"Judgement" copyright 2003 by Elizabeth Moon
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quajack
Seeker

86 Posts

Posted - 13 Nov 2006 :  17:48:30  Show Profile  Visit quajack's Homepage Send quajack a Private Message  Reply with Quote
Thanks, Kentinal. Just trying to squeeze in an obscure Dennis Miller reference.
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Marc
Senior Scribe

658 Posts

Posted - 13 Nov 2006 :  18:10:10  Show Profile Send Marc a Private Message  Reply with Quote
I agree, I prefer short descriptions of battles not some slow motion

.
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Kaladorm
Master of Realmslore

United Kingdom
1176 Posts

Posted - 13 Nov 2006 :  23:51:24  Show Profile  Visit Kaladorm's Homepage Send Kaladorm a Private Message  Reply with Quote
The first book of Starlight and Shadows utterly delighted me when reading about the battle sequences. Normally I find battle scenes fairly standard procedure but Fyodor in his beserker rage was so magnificently described by Elaine it thrilled me every time I read the battles. I even reread one of them as it was so good
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Rinonalyrna Fathomlin
Great Reader

USA
7106 Posts

Posted - 14 Nov 2006 :  00:06:16  Show Profile  Visit Rinonalyrna Fathomlin's Homepage Send Rinonalyrna Fathomlin a Private Message  Reply with Quote
I prefer "short, sweet, and to the point" battle scenes, myself. I'm not one of those readers who just loves every minute battle move described to me at length *shrug*.

"Instead of asking why we sleep, it might make sense to ask why we wake. Perchance we live to dream. From that perspective, the sea of troubles we navigate in the workaday world might be the price we pay for admission to another night in the world of dreams."
--Richard Greene (letter to Time)
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Kuje
Great Reader

USA
7915 Posts

Posted - 14 Nov 2006 :  00:11:40  Show Profile Send Kuje a Private Message  Reply with Quote
Short for me otherwise I skim it so I can get through the scene as quick as possible and move on with the story.

For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world, worlds that sing to you, comfort and quiet and excite you... Books are full of the things that you don't get in real life - wonderful, lyrical language, for instance, right off the bat. - Anne Lamott, Bird by Bird

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The Sage
Procrastinator Most High

Australia
31774 Posts

Posted - 14 Nov 2006 :  00:25:59  Show Profile Send The Sage a Private Message  Reply with Quote
I'd have to say short as well. It doesn't matter whether it is books or films.

I'm reading FR novels (and watching films) for character development, source material, and a well-crafted plot. I appreciate that action/fighting scenes are sometimes necessary to convey a deeper meaning about the characters than dialogue ever could -- for example, I doubt a viewer or a reader could feel the same emotion and heartbreak that exists between watching (and reading) Anakin's and Obi-Wan's duel in Revenge of the Sith if they had instead engaged in a verbal battle. It's represents the climatic breaking point between the two main characters and is necessary for us to learn more about the armored Vader's origins.

I enjoy fighting scenes that represent some major element of the story, or are manifestations of some major point -- and are thus *necessary* for the story itself. Small skirmishes here and there, and the odd scuffle as the story progresses, often are the parts I'll skim over, unless there's also plenty of dialogue. At which point, the reader or viewer potentially stands to learn something more about the characters themselves, so I'll read over the the dialogue as I skim through the battle scenes.

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DragonReader
Senior Scribe

USA
371 Posts

Posted - 14 Nov 2006 :  00:44:53  Show Profile  Visit DragonReader's Homepage Send DragonReader a Private Message  Reply with Quote
Battle/fight scenes can be well done or not and I find (for me at least) it has little to do with the length of the scene. If I can visualize the fight and it sounds/looks realistic, then for me it is a good scene.
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Rinonalyrna Fathomlin
Great Reader

USA
7106 Posts

Posted - 14 Nov 2006 :  02:17:42  Show Profile  Visit Rinonalyrna Fathomlin's Homepage Send Rinonalyrna Fathomlin a Private Message  Reply with Quote
quote:
Originally posted by DragonReader

Battle/fight scenes can be well done or not and I find (for me at least) it has little to do with the length of the scene.



Very true.

"Instead of asking why we sleep, it might make sense to ask why we wake. Perchance we live to dream. From that perspective, the sea of troubles we navigate in the workaday world might be the price we pay for admission to another night in the world of dreams."
--Richard Greene (letter to Time)
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Faraer
Great Reader

3308 Posts

Posted - 14 Nov 2006 :  02:31:25  Show Profile  Visit Faraer's Homepage Send Faraer a Private Message  Reply with Quote
Prose just isn't that good for describing complex movements in four-dimensional space-time, which means that anatomical fight, dance and sex scenes have to be very adeptly done to keep the reader's interest.
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Jorkens
Great Reader

Norway
2950 Posts

Posted - 14 Nov 2006 :  07:23:50  Show Profile Send Jorkens a Private Message  Reply with Quote
I am not a great fan of extended battle scenes, although a little bit action is OK; the mix from most of the Harper books and Moonshae books fits nicely. But even then I would rather have less than more combat scenes.
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Mace Hammerhand
Great Reader

Germany
2296 Posts

Posted - 14 Nov 2006 :  10:27:39  Show Profile  Visit Mace Hammerhand's Homepage Send Mace Hammerhand a Private Message  Reply with Quote
I've said it before and I say it again, unless a battle is really plot relevant it shouldn't be mentioned with more than one or two sentences, if it is pivotal, sure, more is to be expected. The problem is that many battles are not plot-relevant, they just happen, as if the random encounter table helped the DM/writer so to speak.

A book solely based on revenge, like Ghostwalker, combat and death are essential. In a book like the Thousand Orcs war is important, individual combat, IMO, is not; Drizzt fights good period. In The Two Swords Drizzt's fight with Obould is important, the showdown, but nothing justifies the g(l)oryfied, almost pornographic, detail to battles that accompany some stories.

Frankly said, I really don't care about Drizzt (still the prime example, unfortunately) pivoting to the left than the right to trick an opponent, then falling down to his knees and ramming his scimitars into the opponent being described on 2 or more pages that could have been filled with plot and character.

Some may disagree with my comparison with pornography, but look at it objectively: we know what is going on in both porn and battle, there is nothing new in either. Sure a pivotal battle cannot be compared to any kind of porn, but that is beside the point. The mostly senseless attention to detail is what makes combat pornographic.

Again this is just my opinion.

Mace's not so gentle gamer's journal My rants were harmless compared to this, beware!
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Marc
Senior Scribe

658 Posts

Posted - 14 Nov 2006 :  11:47:51  Show Profile Send Marc a Private Message  Reply with Quote
I agree if authors want to preserve space to more elaborate a story, battle scenes should be first to cut down

.
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Rinonalyrna Fathomlin
Great Reader

USA
7106 Posts

Posted - 14 Nov 2006 :  16:07:47  Show Profile  Visit Rinonalyrna Fathomlin's Homepage Send Rinonalyrna Fathomlin a Private Message  Reply with Quote
quote:
Originally posted by Mace Hammerhand


Some may disagree with my comparison with pornography...



I actually think that word is fitting, in some cases.

"Instead of asking why we sleep, it might make sense to ask why we wake. Perchance we live to dream. From that perspective, the sea of troubles we navigate in the workaday world might be the price we pay for admission to another night in the world of dreams."
--Richard Greene (letter to Time)
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DragonReader
Senior Scribe

USA
371 Posts

Posted - 14 Nov 2006 :  16:53:04  Show Profile  Visit DragonReader's Homepage Send DragonReader a Private Message  Reply with Quote
I agree that I don't much care for random encounter-type fight scenes in novels, but again if the fight fits in the sory and is well done, I have no problem with it. I have a feeling people would be up in arms if all battles were reduced to a sentence or two saying there was a fight and the good guys won. That simply isn't good writing IMHO.
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Besshalar
Learned Scribe

Finland
166 Posts

Posted - 14 Nov 2006 :  18:04:45  Show Profile  Visit Besshalar's Homepage Send Besshalar a Private Message  Reply with Quote
It's true the battle scenes seem to have gotten longer and longer through the years and I also find myself skimming the text at times. I wonder when it happened that battles started to take up so much space because I don't think it always thus.........

Or then I'm just getting old I have noticed that nowadays I get a rush everytime I get up unexpectedly...

And those who can spot the reference there are to be congratulated on their sense of humour.

The large print giveth , and the small print taketh away.
-Tom Waits
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Calrond
Learned Scribe

USA
118 Posts

Posted - 14 Nov 2006 :  20:57:10  Show Profile Send Calrond a Private Message  Reply with Quote
I enjoy descriptive battle scenes as long as the description adds something to the story. I don't want to read the blow-by-blow just for the sake of being able to visualize it. Usually, reading the thoughts that run through the characters' minds during the fight makes it worth the read though. Drizzt and Entreri are good examples of that.
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Mace Hammerhand
Great Reader

Germany
2296 Posts

Posted - 14 Nov 2006 :  22:50:46  Show Profile  Visit Mace Hammerhand's Homepage Send Mace Hammerhand a Private Message  Reply with Quote
quote:
Originally posted by Calrond

I enjoy descriptive battle scenes as long as the description adds something to the story. I don't want to read the blow-by-blow just for the sake of being able to visualize it. Usually, reading the thoughts that run through the characters' minds during the fight makes it worth the read though. Drizzt and Entreri are good examples of that.



Agreed, it has to be important/relevant for the story. Many times it is not.

Would I like to read every band of uruks Aragorn and his demihuman pals met on the way to Fangorn? Hell no, sometimes, tho, you get the impression that this is the case.

Mace's not so gentle gamer's journal My rants were harmless compared to this, beware!
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Wooly Rupert
Master of Mischief
Moderator

USA
36804 Posts

Posted - 14 Nov 2006 :  23:35:58  Show Profile Send Wooly Rupert a Private Message  Reply with Quote
You know, there's been a couple of times I have tried to visualize a described battle sequence... And with at least one author, I am usually left scratching my head, because the sequence just doesn't seem to work as described.

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sleyvas
Skilled Spell Strategist

USA
11829 Posts

Posted - 15 Nov 2006 :  21:23:45  Show Profile Send sleyvas a Private Message  Reply with Quote
I'm the exact opposite when it comes to spell battles. The battle between Gromph Baenre and the lich drow was my most favorite part of that novel. I could really SEE in my head what was going on, almost like making an action movie for me. It was just wonderful. Its even better when they don't just make up the effects and actually use in-game spells that you'd recognize.
Now, for most melee combats, I find I have this problem because many authors don't describe the combat in a way that you can visualize it (i.e. you have to reread the passage in order to get the idea that the person did a backwards flip and spun on his knee to use his momentum to bury the blade in the guys shoulder... or something similar).

Alavairthae, may your skill prevail

Phillip aka Sleyvas
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Aglaranna
Learned Scribe

166 Posts

Posted - 15 Nov 2006 :  23:34:25  Show Profile  Visit Aglaranna's Homepage Send Aglaranna a Private Message  Reply with Quote
Hm. When in doubt, skim the next two pages, and if the main character is still alive, you know the fight went well! (Unless he dies of loss of blood in the next chapter...) But, to put forth a semi-serious comment, I'll paraphrase something some author said: "You should not go too deeply into detail when writing. You must give the reader a chance to visualize things for themself. It enhances enjoyment." But I haven't read War of the Spider Queen yet, so I wouldn't know about fantastic, vivid spell battles.

"You can choose a ready guide
In some celestial voice
If you choose not to decide
You still have made a choice

You can choose from phantom fears
And kindness that can kill
I will choose the path that's clear
I will choose freewill." -'Freewill' by Rush
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quajack
Seeker

86 Posts

Posted - 16 Nov 2006 :  00:49:21  Show Profile  Visit quajack's Homepage Send quajack a Private Message  Reply with Quote
To me, long drawn out battle descriptions are most frustrating when the outcome is obvious. If 50 pages into a book the main character is fighting some orcs, I don't need the details.
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mavericace
Seeker

USA
84 Posts

Posted - 16 Nov 2006 :  07:27:59  Show Profile  Visit mavericace's Homepage Send mavericace a Private Message  Reply with Quote
i think everyone brings up some good points. IMO the bottom line is that they need to bring something to the book and not just random filler. sometimes i like a long detailed battle scene, like if it is a battle between the main hero and main villian and if it is just the hero vs some random orc or goblin than a few sentances is more than enough.
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Mace Hammerhand
Great Reader

Germany
2296 Posts

Posted - 16 Nov 2006 :  09:27:25  Show Profile  Visit Mace Hammerhand's Homepage Send Mace Hammerhand a Private Message  Reply with Quote
More than enough indeed... one sentence for a minor battle, if any at all. Frankly said, in a game stuff happens, but a novel is a controlled environment...to a degree.

A minor skirmish bears no importance to the story, neither does the toothache of the smith in a random city. Hence, no sentence is needed at all.

Sword and Sorcery...well, if I look back at Conan, sure there were battles, but not every battle received the same attention. Hell, Howard wrote short stories, had he included every skirmish in the stories, he would've produced novels. Plus, IIRC, even these battles were not very detailed. We didn't know whether Conan pirouted to the left, and then the right to gracefully chop off someone's head, and we didn't care.

The epic end fight is a completely different animal!

Mace's not so gentle gamer's journal My rants were harmless compared to this, beware!
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Jorkens
Great Reader

Norway
2950 Posts

Posted - 16 Nov 2006 :  10:23:14  Show Profile Send Jorkens a Private Message  Reply with Quote
If you look at the older Sword and Sorcery writings, such as Leiber, Howard and even Moorcock, and Aston Smith the fighting itself usually didnt take up that much place. The building up of the conflict, environment and the intrigue had a far more important role than the climax. There is a sense of wonder that I find more and more lacking, both in fighting and in the magic, where the long spell battles are even worse for me personally than the sword fights.

But then again tastes differ.
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Mace Hammerhand
Great Reader

Germany
2296 Posts

Posted - 17 Nov 2006 :  23:51:26  Show Profile  Visit Mace Hammerhand's Homepage Send Mace Hammerhand a Private Message  Reply with Quote
quote:
Originally posted by Jorkens

If you look at the older Sword and Sorcery writings, such as Leiber, Howard and even Moorcock, and Aston Smith the fighting itself usually didnt take up that much place. The building up of the conflict, environment and the intrigue had a far more important role than the climax. There is a sense of wonder that I find more and more lacking, both in fighting and in the magic, where the long spell battles are even worse for me personally than the sword fights.

But then again tastes differ.



There are some things that are tasteless... "Evita" for example...the one with Madonna.

Mace's not so gentle gamer's journal My rants were harmless compared to this, beware!
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Gellion
Learned Scribe

140 Posts

Posted - 18 Nov 2006 :  01:20:57  Show Profile  Visit Gellion's Homepage Send Gellion a Private Message  Reply with Quote
I generally like battle scenes, especially spell battles. Shame on all you who skip battle scenes, and you call yourselves FR fans.

I will say that single line descriptions can be very effective though, such as in the short story, "There is another shore you know,upon the other side", in the Dragons of Chaos Anthology for Dragonlance. Here is a description of a battle.

"We fought like rabid dogs. They got us anyway."

"Paladine, you see the evil that surrounds me! You have been witness to the calamities that have been the scourge of Krynn... You must see now that this doctrine of balance will not work! I can sweep evil from this land. Destroy the ogre races. Bring the wayward humans into line! Find new homelands far away for the dwarves and the kender and the gnomes, those races not of your creation... I demand that you give me, too, the power to drive away the shadows of evil that darken the land!"- THE REIGN OF ISTAR, Tales IV

Edited by - Gellion on 18 Nov 2006 01:22:06
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Zimme
Learned Scribe

Denmark
209 Posts

Posted - 25 Nov 2006 :  00:07:06  Show Profile Send Zimme a Private Message  Reply with Quote
For me the detailed description of a battle, be it with steel or spells or whatnot)Is a absolute must*! It adds to the story itself, the context and so, without it battle becomes somewhat boring.

*IF the story is well written that is.

Sometimes I feel like Beshaba is sitting on my back, devoting her entire attention to me!

Rannek.

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Mark S.
Forgotten Realms Author

60 Posts

Posted - 01 Dec 2006 :  18:48:54  Show Profile  Visit Mark S.'s Homepage Send Mark S. a Private Message  Reply with Quote
Do you differentiate between a "battle scene" and a "fight scene?"

When I see the term "battle scene," I picture a clash of armies.

But a "fight scene" is a fight between two or more characters.

In general, I'd say battle scenes, if you are describing the conflict between huge forces, need to be detailed very quickly.

Fight scenes, on the other hand, can have lots of detail, but the focus needs to be on the characters and the emotions in play, not the choreography. "He thrust with his right hand" and "she parried with her left" gets old fast unless emotions are in play.

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Alaundo
Head Moderator
Admin

United Kingdom
5695 Posts

Posted - 01 Dec 2006 :  23:14:31  Show Profile  Visit Alaundo's Homepage Send Alaundo a Private Message  Reply with Quote
quote:
Originally posted by Mark S.

Do you differentiate between a "battle scene" and a "fight scene?"

When I see the term "battle scene," I picture a clash of armies.

But a "fight scene" is a fight between two or more characters.

In general, I'd say battle scenes, if you are describing the conflict between huge forces, need to be detailed very quickly.

Fight scenes, on the other hand, can have lots of detail, but the focus needs to be on the characters and the emotions in play, not the choreography. "He thrust with his right hand" and "she parried with her left" gets old fast unless emotions are in play.



Well met

Oh certainly. "Battle" has always meant large scale to me and thus is brushed over more briefly than a closely focused fight between individuals. Ye can't focus on much more than a handful of combatants afterall and detail each conflict without it loosing the edge.

Alaundo
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